Tag Archives: Photography

THE REGULARS by Sarah Stolfa

Image courtesy Artisan Books.
There’s a frustration I face with modern photography—glossy spreads in magazines and head shots and landscapes. With the advent of Photoshop, everything just looks too perfect.

Mark Borthwick @ The Half Gallery

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Mark Borthwick’s new show If We’re Pioneer’s opens tonight (Sept 25-Oct 19) at The Half Gallery ( 208 Forsyth Street, NYC).

Walead Beshty and Eileen Quinlan: A Slideshow

Walead Beshty,  Three Color Curl (CMY: Irvine, California, August 22nd 2008, Fuji Crystal Archive Type C), 2009, color photographic paper, 50 x 90 inches. Courtesy of the artist and Wallspace, New York.
View a slideshow of works by photographers Walead Beshty and Eileen Quinlan. Head over to BOMBSITE for the accompanying conversation.

Season 5 Sneak Peek: Cindy Sherman

cindyshermanjpgIn celebration of the forthcoming fifth season of Art:21—Art in the Twenty-First Century, broadcasting this October on PBS, each week we bring you a video clip from a featured artist’s segment. Up next is artist Cindy Sherman. Read a detailed explanation of Sherman’s work back on Art21’s blog here, and read Betsy Sussler’s 1985 BOMB interview with her here.

Season 5 Sneak Peek: Florian Maier-Aichen

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In celebration of the forthcoming fifth season of Art:21—Art in the Twenty-First Century, broadcasting this October on PBS, each week we bring you a video clip from a featured artist’s segment. Up next is artist Florian Maier-Aichen. Read a detailed explanation of Maier-Aichen’s work back on Art21’s blog here.

AFTER COLOR: NEW LOOK FOR BLACK AND WHITE?

Michael Bühler-Rose, Edition 1/3, 2009, acrylic on photogram, 8 x 10 inches.

Michael Bühler-Rose and Matthew Gamber discuss the past, present, and future of black and white in an art world that’s been overtaken by large format color photography.

The Conduit

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I am wrapped in a universe of temporal distortion when looking at Mark Borthwick’s photography. His images and installations, a constant fixture in both the pages of the world’s leading fashion magazines and on the walls of museums and galleries, are dedicated to creating an awareness of who he is at that moment.

Damion Berger

© Damion Berger, from <i>In the Deep End</i> Damion Berger’s work is interesting to me precisely because it has so little in common with the majority of his contemporaries. When I first saw it, we just had to talk.

Lynn Saville

Under the Manhattan Bridge.  All images courtesy of Yancey Richardson Gallery, New York, NY.

For years, Lynn Saville has photographed cities at night. Her book and current exhibition at Yancey Richardson Gallery feel like a coda, documents of an urban era about to end, or maybe already gone.

Common to Unique

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One of my favorite movies related to photography is “Pecker” by John Waters. It’s a charming story about a young, amateur photographer from Baltimore who turns the New York art scene on it’s ear. Pecker’s pictures are so honest, they turn ugly into beautiful, common to unique, and pretense to absurdity. Maybe this is why I like Mathew Scott’s photographs.