Peter Gordon & The Love of Life Orchestra’s dense, experimental and deeply funky music has just been reissued, re-alerting listeners to the composer’s unique, genre-crossing sounds. Gordon spoke with BOMBlog’s Nick Hallett about collaborating with artists like Arthur Russell as well as the ways in which his work continues to exert an influence on the dance floor in addition to the concert hall.
Tag Archives: Interview
Roses on the Disco Floor: Peter Gordon
Heather Christle
Not a Biopic: Olivier Assayas on CARLOS

Zachary Block and Olivier Assayas discuss Assayas’s new film, Carlos. The film tells the story of Ilich Ramírez Sánchez, otherwise known as “Carlos the Jackal,” a man whose violent history was twisted and erased by the political climate of his time. With his confident and exciting combination of evidence, myth and fantasy, Assayas has created a successful, if sometimes difficult, film.
STREET FOOD CINEMA: Khavn de la Cruz
Khavn de la Cruz is an artist with an output that is singular in its fecundity, a prolix daily output that is off the charts. Musician, poet, writer, filmmaker, Cruz is, however most well-known as “the father of Philippine digital filmmaking.” Pamela Cohn sat down with Cruz in Prizen, Kosova to discuss his prodigious output.
Patience, Not Bravery: Darin Strauss
“Sometimes People Suffer For No Reason”: John Reed
Telephone #1
Boxing and Ex-Girlfriends: Bill Callahan
With over a dozen LPs under his belt, Bill Callahan’s voice has taken on some further gravitas, but he sounds spirited as ever. Callahan has just published a book with Drag City—Letters to Emma Bowlcut. I’m not sure if it’s a novella, an epistle, or one hell of a big poem. But questions like that are beside the point.
Jim Behrle
How to Escape from the Postcolonial: Tiphanie Yanique
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The stories of Tiphanie Yanique’s debut collection How To Escape From A Leper Colony hold no fear. Centered on life in the US Virgin Islands, they seem ready for the generic lexicon of lazy reviewers. BOMBlog’s intrepid Jack Palmer spoke with Yanique about the fallacy of that vocabulary and the lessons available in literature.





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