From her ’70s publication Radical Software, to her own studio practice, Beryl Korot pushes the line between technology and communication. Watch a video of her work and listen to a podcast of an artist’s talk she gave at the Aldrich Museum.
Tag Archives: Art
Off the Wall: Part 1-Thirty Performative Actions

The Whitney’s Off the Wall: Part 1 raises questions about museums’ duty and capacity to preserve and re-present performance art—the extent to which it can be preserved, and the ethical implications of bottling, as it were, such an immediate form of artistic expression. John Sherman reviews the show.
Us ‘n’ Flux: Alexandra Kleiman
Homunculi: An Interview With Trinie Dalton

The supernatural and the everyday converge in Trini Dalton’s writing and curatorial practices. On the occasion of Homunculi, her most recent curatorial project at CANADA, she selects work that transmutes one’s awareness of the unconscious forces of the mind via fantasy and figuration. Trinie Dalton explores her tendency towards alchemy in both her writing and curation in conversation with Kari Adelaide.
Aaron Wexler
Artistic License: Daniel McClean on Contracts and Aesthetics
London attorney and curator Daniel McClean finds intersections between art and law through curatorial projects. Offer & Exchange, an ongoing series of commissions co-curated with Lisa Rosendahl (director of the Baltic Art Center in Sweden), negotiates situations between artists, museums, galleries, collectors, and the public that challenge assumptions using the history of seminal curator, dealer and publicist Seth Siegelaub’s work as point of departure.
Stephen Willats at Victoria Miro
THE WORLD AS IT IS AND THE WORLD AS IT COULD BE, an exhibition of new work by British conceptual artist Stephen Willats, now occupies the first-floor gallery of Victoria Miro in London. Integrating bold graphics with flares of text, Willats’ mostly two-dimensional works address the world’s harsh realities and utter banalities with an even theoretical attention.








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