Tag Archives: Art

The Fishbowl Carnival: Glenn Kaino & Ryan Majestic @ the Slipper Room

Glenn Kaino and Ryan Majestic’s HONOR ANOMG THIEVES, 2009, photograph by Meghan McInnis, courtesy Creative Time. In my opinion, the true test of a good magic trick is that after it’s performed, you don’t want to know how it’s done. Questions about magic tricks are like money—it’s a good feeling to have them jingling contentedly in your pocket. When I went to watch the Glenn Kaino/Ryan Majestic magic show at the Slipper Room the other night, I really didn’t have a clue what I was in for.

An Odd Couple

 AN APRIL MOOD, 1946–55. Watercolor and charcoal on joined paper, 40 x 54 in. (101.6 x 137.2 cm). Whitney Museum of American Art. Purchase, with partial funds from Mr. and Mrs. Lawrence A. Fleischman.
Anyone that can get to the UCLA Hammer Museum soon is in for a treat. Two strong yet very different shows share the upper level. Heat Waves in a Swamp: the Paintings of Charles Burchfield (October 4–January 3, 2010) is an abbreviated retrospective curated by Robert Gober and Cynthia Burlingham. In another well designed space hangs The Bible Illuminated: R. Crumb’s Book of Genesis (October 24–February 7, 2010).

Portraiture of the Artists

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Shakespeare and Company, the legendary English-language bookstore on Paris’s Left Bank, recently got a facelift. Several faces, in fact. Fourteen illustrated portraits of the Lost and Beat Generation writers who once frequented the store—and its predecessor—now adorn the staircase wall leading up to the second floor library of the bookshop. An interview with Badaude—the illustrator Joanna Walsh—with a slideshow of her mural as a work-in-progress.

News Digest - Week of November 9

One of hundreds of beautifully illustrated letters written by Vincent van Gogh to his brother and others, newly translated and available online. ; Via the Van Gogh Museum
It was another busy week in the art world, with Dia announcing plans to return to New York City, the Impressionist and Modern auctions, and a plethora of other developments.
Read on for ArtWeLove’s news digest, now also available in email form—bringing a comprehensive roundup of the week’s art developments to your digital doorstep. If you aren’t signed up, simply click here. As always, we welcome your feedback at editorial@artwelove.com.

Pam Joseph Wunderlust @ Francis Naumann Fine Art Gallery

"Rousseau Cinématique," 2008. Oil with Collage on Linen. Panel 8: 45 x 64.5 in.
When I think of Pam Joseph’s work, I imagine standing before Bernini’s classic sculpture Pluto and Proserpina, with Pluto wrestling a naked Proserpina, while behind it as backdrop is a Victoria Secret billboard advertisement, the golden cleavage, faceless head thrown back in pleasure, blown ten-stories high in technicolor.

David Ryan

HILBERT, 2009. Acrylic on MDF 18-1/2 x 21 x 2 1/4 inches.

David Ryan’s flamboyantly colored sculptural paintings are both economical and obsessive, creating an effect that interviewer Ryan Spencer describes as “Minimalism on mushrooms.” He’s currently showing work at Davidson Contemporary on Fifth Avenue.

Christina McPhee

TESSERAE HOT PINK CALI AQUEDUCT, 2009, HD video still. Total running time: 5 minutes. Courtesy of the artist. Throughout the ’80s, Christina McPhee used drawing and painting to investigate landscape and its relationship to time through work at archaeological and geological sites. By the mid-’90s, she began new media explorations of human technology and the environment by mining traumatic memory patterns and what they might uncover about geomorphologies in sites such as the San Andreas Fault. Her current exhibition Tesserae of Venus at Silverman Gallery in San Francisco imagines a world simultaneously on the verge of destruction and regeneration.

Lothar Osterburg at Lesley Heller Gallery

Lothar Osterberg, BABYLON. At a first glance, Lothar Osterburg’s photographic works can be visually disorienting given the textural presence of their surfaces. This is because these are photogravures, prints—that is, works on paper—rather than photographs.

Suzanne Fiol, 1960–2009

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Suzanne Fiol, the founder and artistic director of Issue Project Room as well as a prominent figure in the New York art world for over twenty years, died on Monday, October 5th, in Manhattan. She was 49 years old.

Double Feature, Cinema and Painting: Angela Dufresne and Amy Longenecker-Brown

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Frame, time, narrative, action—is this the language of painting or cinema? Whether it started with Barthes, Bacon, Buñuel, or (cut to slow motion) Warhol; and whether the screen is silver, silk, or canvas, the developments and history of the two media are undeniably intertwined. In an attempt to unravel the ties, BOMB On the Inside: On the Scene presents a two part series in conversation with Angela Dufresne and Amy Longenecker-Brown. From their painter’s perspective, film means painted surface and celluloid…ever viscous and visceral.

A Conversation with Allan McCollum and Josiah McElheny

mccollum Our friends at Art:21 are hosting a screening and conversation this Tuesday, October 6, at 6pm. Be the first to catch the premiere of their new Season 5 episode, Systems. Click through for more info.

Carter at Salon 94 Freemans

Carter, "And Within Area Although #2." Courtesy of the artist and Salon 94, New York.
Salon 94 Freemans recently opened for the season with an exhibition of new black-and-white pictures by the artist Carter. The images, made large-scale by tiling laser printouts, variously depict elegant interiors, figures, and marble sculptures.

Roadworks: Experimental Printing with Heavy Machinery

Stemrolling!

Christine Lagorio reports from the San Francisco Center for the Book’s annual street-printing event.

Dread Scott

Or Does It Explode

On the occasion of Dread Scott’s public art project …Or Does it Explode? in Philadelphia, the artist exchanged emails with BOMB Managing Editor Nick Stillman. Scott’s provocative work challenges pedestrians in Philadelphia’s bustling Logan Square to consider the fate of local high schoolers will be on view through November.