
Weston Cutter turns his regard to the rare enigma of the quotidian: shunning any suggestion of pretension in favor of an Ammonsian phrasing, “No Science” mulls over clues pulled from their contexts, tapping into questions of exclusion and intrusion, the thin distinction between durability and stability.
Category Archives: Word Choice
“No Science” by Weston Cutter
“Midday” by Yael Shinar
“At the Savoy” by Joseph Chapman
“Balloons the Shape of Manhattan” by John Randolph Carter

John Randolph Carter’s taut but rangy take on Americana merges familiar subjects and settings to a satisfyingly bizarre effect. His verse strikes a difficult balance between originality and appeal, luring in the audience with its tidy structure, friendly diction, and tasteful embellishment, only in the end to reveal its surprise as omen.
“THE PAINTED ROOM” BY HOWARD ALTMANN
“FACTICITIES, ETC.” by Renée Ashley
“Prayer, 6/13/08″ by Jamie Quatro
“And, here and there, a kiss” by Paula Brancato
“DON’T” by Rebecca Foust
While Michael Lays Dying by Rosemarie Castoro

Before I was aware of the news, I just had a good friend for tea, and he helped me bring some pictures out in the light. Little did we know, an unveiling of another kind was happening in California.
“Letter” by Andrew Naymark
“To Cross Safely Over Thin Ice” by Melissa Monroe
Melissa Monroe’s chillingly didactic “To Cross Safely Over Thin Ice” reads like a cross between ex-soldier recounting a particularly horrific war memory and an instruction manual.
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