Beneath the dense network of tags and links, there is a particular order at the root of the BOMB archive…
Author archives for Richard J. Goldstein
Between the Lines
November 20, 2009 – 8:05 pm
Streetwise
November 13, 2009 – 6:56 pm
Bringing new meaning to “pop-up,” the archive takes to the streets…
The Intraview
November 6, 2009 – 4:12 pm
Over the years, BOMB magazine has amassed hundreds of interviews between artists. If you read closely, the interviews begin to speak to themselves. Some of them are related by topic, medium, genre, or social network. When the articles themselves begin relating to their interiority, they collectively build an intraview, a reflexive look. Following is a hyper-linked collage to the latest archived interviews presented as a mock-up of the intraview.
Corpse Exquise II
November 2, 2009 – 2:38 pm
Just six weeks left to go on the archive’s timeBOMB! Check out another hyperlinked collage and find out the latest past interviews we’ve posted!
The Invisible Issue
October 23, 2009 – 5:15 pm
It’s week seven on the TimeBOMB countdown, but we may just have all the interviews archived a bit sooner than expected. But for now, let’s look back to Winter 1998 and BOMB’s switch from saddle stitch, to perfect binding. After 11 years with perfect, we’re back in the saddle now.
Abstracts
October 2, 2009 – 3:48 pm
Hear that? It’s the TimeBOMB ticking! We have 10 weeks left until we finish archiving our collection of over 800 interviews for your retro-pleasure. So—quick! trace the hand of Barbara Hammer, Isabel Toledo’s scarf, Srivnas Krishna’s coiffure, a Segovian mountain range, and more back through the Archive!
While Michael Lays Dying by Rosemarie Castoro
July 2, 2009 – 12:27 pm
Before I was aware of the news, I just had a good friend for tea, and he helped me bring some pictures out in the light. Little did we know, an unveiling of another kind was happening in California.
“Lines For Olivia” by T. Zachary Cotler
March 9, 2009 – 12:14 pm
The lines for and of Olivia run a curious parallel between T. Zachary Cotler’s poem and recent monumental silkscreen prints on wood by Clare Stephenson.
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